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Shortlisted for the William Saroyan International Prize for Writing

* Winner of the 2022 Foreword Reviews INDIES Bronze Award

2022 Great Group Reads Selection by the Women’s National Book Association

* Longlisted for The Crook's Corner Book Prize

* On The Bitter Southerner's 2022 Summer Reading Roundup

* Southern Review of Books' Best Southern Books of March 2022

* Lit Hub's 14 New Books To Revive Your Reading Life

Here Lies is available to purchase at these links:

Indie Bound  /  BookShop  / Amazon  /  Barnes & Noble

Hudson Booksellers Powell's  /  Grove Atlantic

PRESS AND REVIEWS:

New York Times Book Review

NPR

Los Angeles Times

Publishers Weekly

The Atlanta Journal-Constitution

Booklist

Ploughshares

The National Book Review

The Reading Life with Susan Larson, WWNO

Southern Review of Books

Jackson Clarion-Ledger

Chattanooga Times Free Press

The Bitter Southerner

Chapter 16 - Humanities Tennessee

Read the first chapter, "Before," at The Common.

Read another excerpt, the chapter "Myrtle," at LitMag Online.

Praise for Here Lies:

“Friedman’s poetic novel explores mourning, memory and motherhood in a future Louisiana that has been ravaged by climate change… [The reader] becomes immersed in Friedman’s layered and luscious prose, the vibrant colors of Alma’s world, the flowers so real ‘you could smell their rankness, the air brimming with sweet, candied stink.’ Most captivating, though, is the stillness and quiet — lines that end abruptly and the images that conjure a deafening silence — representations of the graveyards that no longer exist, but whose absence is haunting.”

— Kai Harris, The New York Times Book Review

“A poignant portrait of the way grief can bring people together, uniting even strangers through a common pain and commitment to keep their loved ones alive in memory.”

— Kristen Martin, NPR

“Friedman follows up her lauded short story collection, Disasters in the First World (2017), with a debut novel set in Louisiana in the near future, when burials have been outlawed, and cremated remains have become the property of the state . . . A beautifully told tale of grief and loss made bearable by the unexpected creation of a found family.”

— Kristine Huntley, Booklist

​“Illuminating and startling.”

— Publishers Weekly

The debut novel from the "Munro-esque" (Houston Post) author of Disasters in the First World, Here Lies is Olivia Clare Friedman's visceral and portentous look at mourning, memory, and motherhood in an alternate Louisiana ravaged by climate change.

Louisiana, 2042. Spurred by the effects of climate change, states have closed graveyards and banned burials, making cremation mandatory and the ashes of loved ones state-owned unless otherwise claimed. In the small town of St. Genevieve, Alma lives alone and struggles to grieve in the wake of her young mother Naomi's death, during which Alma failed to honor Naomi's final wishes. Now, Alma decides to fight to reclaim Naomi's ashes, a journey of unburial that will bring into her life a mysterious and fiercely loyal stranger, Bordelon, who appears in St. Genevieve after a storm, as well as a group of strong, rebellious local women who, together, teach Alma anew the meaning of family and strength.

With poignance, poeticism, and deep insight in Here Lies, Olivia Clare Friedman gives us a stunning portrait of motherhood, friendship, and humanity in an alternate American South torn asunder by global warming. This is a stunning first novel from a unique and inventive writer.

HERE LIES  is a novel of both big ideas and intimate moments. At the same time speculative and familiar, the book sews patterns of longing and loss into a shape that anyone who has ever needed and found a non-traditional family will recognize and cherish. Like most great books to come out of the South, the relentless skill and grace of the author makes a simple story of Louisiana transcend far beyond its borders. Make no mistake: Olivia Clare Friedman is one of the most singular voices in American literature and this book, like all of her work, belongs in your hands.”  

 

-- M.O. Walsh, New York Times Bestselling author of My Sunshine Away and The Big Door Prize

 

"Olivia Friedman’s precision, earthy humor and clear-eyed tenderness for outsiders and oddballs combine in this sparkling debut, as an isolated young woman finds unexpected connection in her search to bury her mother, an act forbidden by law in an alt-future Louisiana.”

 

-- Janet Fitch, author of White Oleander

 

"HERE LIES is a work of astonishing, exacting beauty that captures both the pinhole longing of personal grief and the expansive pleasure of closely observed, deeply felt moments between women. Friedman writes the kind of prose you want to till and turn over with your hands—sentences so lush and exquisite they deserve to be held up and cherished in sunlight.”

 

-- Kimberly King Parsons, author of Black Light

 

 

“HERE LIES will disarm you — for its originality, its grandness, its smallness, and its boldness. It will also lull you, wow you, dare you, and remind you most of all what it is to be human.”

 

-- Hannah Pittard, author of Visible Empire

 

 

“Amazingly inventive, Olivia Clare is a prose prophet and her sentences all carry embryos of poetry within.  HERE LIES is a wild and wise rendering of the Old South being midwifed into the ground of the New South by women who are strong, flawed, able and resilient. I read this stunning novel in one sitting.”

 

-- Mark Richard, author of The Ice at the Bottom of the World
 

“HERE LIES compounds past, present, and future, the universal threat of the climate crisis with the more intimate storms of loneliness and loss. Here is a subtle, surprising portrait of female friendship, of possibility in impossible times. Clare Friedman, with a poet's ear, offers readers not just dazzling language, but also a keen sense of empathy and a rich understanding of the human heart.”  

 

-- Emily Nemens, author of The Cactus League

HERE LIES final cover.jpeg
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